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Aesop's Fables

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks

Much of the richness of our language and moral education is owed to a Greek slave who was executed over two thousand years ago. Literally hundreds of metaphors, axioms, and ideas that are woven into the very fabric of Western culture—from "sour grapes" and "crying wolf" to "actions speak louder than words" and "honesty is the best policy"—all came from Aesop's Fables.

An extraordinary storyteller who used cunning foxes, surly dogs, clever mice, and foolish humans to describe the reality of a harsh world, Aesop created narratives that are appealing, funny, politically astute, and profoundly true. And Aesop's truth—often summed up in the pithy "moral of the story"—retains an awesome power to affect us, reaching us through both our intellects and our hearts.

Included here are such fables as "The Country Mouse and the Town Mouse," "The Wind and the Sun," "The Farmer and the Stork," "The Lioness," "The Brash Candlelight," "The Old Woman and the Physician," "The Mole and Her Mother," "The Swallow and the Crow," "The Man Bitten by a Dog," "The Fox and the Grapes," "The Monkey and the Dolphin," "The Hares and the Frogs," and many, many more.

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  • Reviews

    • Publisher's Weekly

      September 1, 1988
      These 10 fables are given a fresh treatment in rhyme, and a new look by Rayevsky. His foxes, bears, lions and other animals appear in medieval and Shakespearean capes, jerkins and plumed hats, all in deep reds, subtle browns and greens. The verses are not always successful, often indulging in inverted syntax to rhyme, and uneven metrics. But phrasing is often clever, and humor is everywhere. In true Aesopian fashion, the morals are soundly thumped at the end: mouse and lion awkwardly learn, ``Yes, sometimes the weak and sometimes the strong/ Must help each other to save right from wrong.'' The boy who cried wolf is more snappily told, ``Please learn your lesson/ Young man and beware:/ Never cry `Wolf!'/ When the wolf isn't there.'' Ages 4-7.

    • AudioFile Magazine
      Anton Lesser translates five classic children's stories to audio. Highlighting the production are energetic classical music and animal sound effects. Regrettably, the music is overused and detracts from Lesser's dramatic reading. It confuses the listener, giving the false impression of a break or the beginning of a new story. Lesser tries to read with emphasis but is dominated by the music. The result is tepid, at best. An illustrated booklet is included. A.G.H. (c) AudioFile 2001, Portland, Maine
    • AudioFile Magazine
      Contrived 2,500 years ago by the Greek storyteller Aesop, these fables were only written down 300 years later. Jonathan Kent's reading revives the original oral tradition, and his voices for the animal characters make the little stories entertaining as well as enlightening. The variety of characters Kent creates will fascinate children, the better to impart the time-tested moral lessons still with us thousands of years later. The production squeezes 160 fables into 140 minutes, making each one last less than a minute. Adults will likely find the segments trivial, too brief, and lacking in continuity. Some of the vocabulary may seem challenging for young minds, but one can never predict what age level will listen and what they already know. J.A.H. (c) AudioFile 2009, Portland, Maine
    • Publisher's Weekly

      July 1, 1970
      In her first book, German artist Durr uses pencil and charcoal to illustrate a particularly imaginative selection of 17 classic fables. Although many entries are familiar, Thuswaldner makes room for more unusual choices. In ``A Dress for the Moon,'' for example, the moon's mother complains of the moon's ever-changing size, which makes her ``the despair of the very best of dressmakers!'' The retellings are graceful and, true to Aesop, do not tack on any aphoristic morals. With its sophisticated design, however, the volume lacks child appeal. Sketchy and airy, the art is more conceptual than purely narrative; the duotone presentation may obscure the visual transitions between many of the spreads. Color remains the province of the type, printed in a distractingly bright, tomato red that seems almost to vibrate against the stark white paper. All ages.

    • Publisher's Weekly

      October 13, 1999
      Hague brings his signature nostalgic, intricately detailed style to 13 of Aesop's moral tales. Ages 4-8.

    • Publisher's Weekly

      September 28, 1992
      Salter refurbishes 58 of Aesop's fables with delicate flame-toned illustrations. Underscoring the timelessness and adaptability of the Greek storyteller's work, the British artist borrows motifs and styles from a number of the so-called cradles of civilization. In her full-page illustrations, slightly flattened perspectives recall antiquity, while the use of serial borders and of floral and geometric patterns seem specifically Middle Eastern. A fox and a stork pose with with a black-figure vase suggestive of pre-classical Athens; other pictures incorporate architectural flourishes (various types of capitals or arches) that evoke the style of an entire period. Small, color images interspersed with the text echo the facing illustrations; for spreads without full-page art, Salter produces stately framed miniatures or, alternately, abstract decorations. While the stories themselves receive perfectly satisfactory treatment, the concluding morals, unnecessarily modified, can take on a fortune-cookie flavor (``you will often be judged by the company you keep''). The moral here: judge this book by its cover full of sumptuous art. Ages 6-up.

Formats

  • OverDrive Listen audiobook

Languages

  • English

Levels

  • Lexile® Measure:1030
  • Text Difficulty:6-8

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