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The Wake of the Unseen Object

Travels through Alaska's Native Landscapes

ebook
1 of 2 copies available
1 of 2 copies available
A journey to Alaska's remote roadless villages, during a time of great historical transition, brings us this enduring portrait of a place and its people. Alutiiq, Yup'ik, Inupiaq, and Athabascan subjects reveal themselves as entirely contemporary individuals with deep longings and connection to the land and to their past. Tom Kizzia's account of his travels off the Alaska road system, first published in 1991, has endured with a sterling reputation for its thoughtful, poetic, unflinching engagement with the complexity of Alaska's rural communities. Wake of the Unseen Object is now considered some of the finest nonfiction writing about Alaska. This new edition includes an updated introduction by the author, looking at what remains the same after thirty years and what is different—both in Alaska, and in the expectations placed on a reporter visiting from another world.
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    • Publisher's Weekly

      January 1, 1992
      On a search for aboriginal culture in Alaska's remote Native Aleut and Eskimo villages, Kizzia discovers Athabaskan softball teams, Yup'ik walrus hunters and alcohol-related crime and death. ``Aficionados of John McPhee's Coming into the Country will be intrigued by another view of Alaska,'' said PW.

    • Publisher's Weekly

      October 31, 1990
      Kizzia, a journalist with the Anchorage Daily News , here seeks aboriginal culture on a beat without roads: Alaska's remote Native Aleut and Eskimo villages. As he looks for bits of wisdom that ``Alaska's indigenous people remember. . . about a world that the rest of us have forgotten,'' he compiles 11 reports from communities like Mary's Igloo, Red Devil and Sleetmute that clearly represent a fractured culture. For instance, Yup'ik elders, who court hunting success with drums and dances, forbid young people to dance to rock 'n' roll because of beliefs holding that dance without purpose is sinful. Kizzia's quest proves at least a generation too late, but though his original purpose is unrealized, his encounters with Athabaskan softball teams, Yup'ik walrus hunters, and violent alcohol-related crime and death near Red Devil leave an interesting, if sometimes disturbing, wake of contradictions. Aficionados of John McPhee's Coming into the Country will be intrigued by another view of Alaska.

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