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The Labyrinth: Winner of the 2021 Miles Franklin Literary Award

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1 of 1 copy available

Winner of the 2021 Miles Franklin Literary Award

Erica Marsden's son, an artist, has been imprisoned for homicidal negligence. In a state of grief, Erica cuts off all ties to family and friends, and retreats to a quiet hamlet on the south-east coast near the prison where he is serving his sentence.

There, in a rundown shack, she obsesses over creating a labyrinth by the ocean. To build it—to find a way out of her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.

The Labyrinth is a hypnotic story of guilt and denial, of the fraught relationship between parents and children, that is also a meditation on how art can both be ruthlessly destructive and restore sanity. This multi-award-winning bestseller shows Amanda Lohrey to be at the peak of her powers.

Amanda Lohrey

lives in Tasmania and writes fiction and non-fiction. She has taught at the University of Tasmania, the University of Technology Sydney and the University of Queensland. Amanda is a regular contributor to the Monthly magazine and a former senior fellow of the Australia Council's Literature Board. She received the 2012 Patrick White Award. The Labyrinth (2021), her eighth work of fiction, won the Miles Franklin Literary Award, a Prime Minister's Literary Award, a Tasmanian Literary Award and the Voss Literary Prize.

'Amanda Lohrey might be described as a writer's writer: proficient in short and long form fiction and a veteran of the essay. Her writing is the literature of ideas. Her new novel, The Labyrinth, uses the idea of the labyrinth as its key organising principle, containing echoes and repetitions throughout to weave together a haunting narrative about loss and self-understanding...Lohrey's descriptions are elegant and transfixing...There is something dreamlike about the novel.' Australian

'The Labyrinth is an impressive addition to Lohrey's body of fiction, which always has philosophical foundations for its warmly human stories. Here the characters and ideas are deftly integrated into a short novel of deep wisdom about nature and art, men and women, motherhood and home...Elegant sentences move with the mindful pace of footsteps on a pathway.' Age

'A deeply meditative book...[Amanda Lohrey's] writing here is beautifully layered, rich in imagery and meaning, without ever being laboured...The Labyrinth offers a pull towards the unknown and a comfort in solitude. It is a sharply tuned novel, a sprawling narrative that resists rigid expectations, instead allowing those who inhabit the pages to surrender themselves to the mode of "reversible destiny" that it is constructed around.' Guardian

'My novel of the year, full stop...A story told without a syllable of excess sentiment or false feeling, yet which sails full square into the mystic.' Geordie Williamson, Australian

'Lohrey brings all her skill to this compelling and contemplative novel, which will linger in your mind long after you read the final page.' Claire Nichols, ABC RN

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    • Books+Publishing

      June 11, 2020
      Devastated when her son is convicted of negligent homicide, Erica Marsden cuts all ties to her former life and retreats to a lonely coastal hamlet near his prison. Moving into a rundown shack, she avoids the company of her few neighbours. In between visits to her son, who suffers from an undefined mental illness and takes pleasure in teasing his mother as a cat might a mouse, Erica conceives a project: the planning and construction of a labyrinth in her backyard. Despite her reluctance to engage with the community, a small group of locals—including a possible illegal immigrant with very definite ideas of his own—soon gathers to help complete the project. As she works, Erica examines her past life, attempting to exorcise her own feelings of guilt and shame. Veteran writer Amanda Lohrey’s writing is excellent, and she mixes pastoral and gothic tropes beautifully. Erica's sheer doggedness in the face of the continual setbacks that plague her life makes her a compelling and sympathetic character. However, many other characters remain somewhat unexplored, appearing and disappearing without explanation, almost as functions of Erica’s need. The Labyrinth is a puzzle of a novel that teases out several promising narrative strands but frustrates readers’ curiosity with too many dead ends. Angela Elizabeth is a freelance writer and critic based in Brisbane with 10 years’ experience in bookselling and publishing.

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