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Blood Sugar

Audiobook
1 of 1 copy available
1 of 1 copy available
From the dark imagination of New York Times bestselling novelist Daniel Kraus - co-author with Guillermo del Toro of THE SHAPE OF WATER (which as a film won the Academy Award for Best Picture) - comes a Halloween crime story that's like nothing you've ever heard before.
WHEN TRICK OR TREAT
BECOMES LIFE OR DEATH
At the end of Yellow Street, in a ruined junkyard of a house, an angry outcast hatches a scheme to take revenge for all the wrongs he has suffered. With the help of three alienated neighborhood kids, he plans to hide razor blades, poison, drugs, and broken glass in Halloween candy and use the deadly treats to maim or kill dozens of innocent children. But as the clock ticks closer to sundown, will one of his helpers - an innocent himself, in his own streetwise way - carry out or defeat the plan?
Told principally from the child's point of view, in a voice as startling and unforgettable as A Clockwork Orange, Kraus' novel is at once frightening and emotional, thought-provoking and laugh-out-loud funny. It'll make you rethink your concepts of family and loyalty and justice - and will leave you anxiously double-checking the wrappers on your Halloween candy for the rest of your days.
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    • Publisher's Weekly

      August 5, 2019
      When kids come trick-or-treating down Yellow Street, the disgruntled, slovenly Robbie Glinton intends to lace the Halloween candy with poison and razor blades in this meandering excursion into hoarder noir from Kraus (The Shape of Water with Guillermo del Toro). Robbie enlists kids who hang out in his decaying home in the project. The principal narrator, Jody, speaks in a language distinctly his own: “Todays getting real. Realer than any day previous. Robbies made plans in the past but nothing this heavy. All a us are feeling it.” Other eccentric kid voices include those of Dag, a rebellious resident of a nicer suburb who dotes on a tick-infested street dog, and brain-damaged Midget, who talks to bugs and wraps herself in flypaper. Kraus makes an impassioned case for the value of family with his marginalized cast of characters, but the plot is one that could have worked just as effectively in short story form. The novel lives or dies by how a reader reacts to Jody’s point of view. As an entry in the literature of Halloween, this is much more icky than eerie. (Oct.)Correction: An earlier version of this review referred to the character Jody as female.

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  • English

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