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American Rust

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
NOW A HIT STREAMING SERIES • A “bold, absorbing novel” (The New York Times Book Review) of the lost American dream, the acts of friendship, loyalty, and love that arise from its loss, and two young men, bound to their hometown, who crave an escape.
“Powerful . . . gripping . . . in the tradition that stretches from Ernest Hemingway to Cormac McCarthy.”—The Washington Post
A BEST BOOK OF THE YEAR: New York Times Book Review, The Washington Post, Economist, Pittsburgh Post-Gazette, Newsweek, Kansas City Star, Idaho Statesman
 
Left alone to care for his aging father after his mother dies by suicide and his sister escapes to Yale, Isaac English longs for a life beyond his hometown, a beautiful but economically devastated Pennsylvania steel town. But when he finally sets out to leave for good, accompanied by his temperamental best friend, former high school football star Billy Poe, they are caught up in a terrible act of violence that changes their lives forever.
Evoking John Steinbeck’s novels of restless lives during the Great Depression, American Rust takes us into the contemporary American heartland at a moment of profound unrest and uncertainty about the future. It is a dark but lucid vision, a moving novel about the bleak realities that battle our desire for transcendence and the power of love and friendship to redeem us.
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    • Publisher's Weekly

      September 15, 2008
      In his unrelentingly downbeat debut, Meyer offers up a character-driven near-noir set in Buell, a dying Pennsylvania steel town, where aimless friends Billy Poe and Isaac English are trapped by economic and personal circumstance. Just before their halfhearted escape to California, Isaac accidentally kills a transient who tries to rob Poe. The boys return to the crime scene the next day with plans to cover up the crime, setting the plot in motion. Poe is soon under suspicion, and Isaac, distraught after discovering Poe has been carrying on a relationship with Isaac’s sister, Lee, sets off for California alone. Meanwhile, Poe’s mother, Grace, mourns her own lost opportunities, broods over her son and pines for her on-again-off-again love, the local sheriff. A fully realized tragic heroine, Grace is the poignant thrust of the novel, embodying enough rural tragedy to nearly atone for the novel’s weakness: a sense that some of the plot mechanics are arbitrary. Still, Meyer has a thrilling eye for failed dreams and writes uncommonly tense scenes of violence, and in the character of Grace creates a woeful heroine. Fans of Cormac McCarthy or Dennis Lehane will find in Meyer an author worth watching.

    • Kirkus

      November 1, 2008
      Part earnest Dreiserian tragedy, part Cormac McCarthy novel transplanted to the Steel Belt, Meyer 's debut in the end takes a gothic turn into blockbuster-movie bloodbath.

      Gifted, 20-year-old Isaac has the double bad luck of being born in a dying Pennsylvania steel town and of having an equally smart sister who 's already escaped, to Yale and afterward to marriage, leaving him home to tend his disabled father. At the novel 's beginning, Isaac has stolen $4,000 from the old man 's desk and is lighting out with the quixotic idea that he 'll hop a freight and somehow reach the Shangri-La of Berkeley and an astrophysics degree. Isaac is accompanied for the first stretch by his friend Poe, an ex-football star on probation because of a brutal fight that could have earned him serious time except that the sheriff, his mother 's lover, intervened. When they seek refuge from the weather in an abandoned factory along the tracks, Isaac and Poe encounter other refugees, transients of longer standing and rougher mien. Hair-triggered Poe incites a fight, and Isaac kills a man with a stone thrown in defense of his friend. This death sets in motion a complex plot that centers on the impossibility of escape, be it from place, circumstance or character. Meyer does a terrific job capturing the tone and ethos of his setting, half postindustrial wasteland and half prelapsarian Eden (OK, four-fifths postindustrial wasteland and one-fifth prelapsarian Eden). Several of the alternating narrators are compellingly drawn, especially the sheriff and Isaac, whose flight is a hellishly compacted journey from innocence to experience. The self-styled "Kid " encounters misery and perfidy everywhere he goes —until he decides to face the music and turns homeward.

      Despite some contrived plot developments, a grimly powerful hybrid: provocative literary fiction crossed with a propulsive thriller.

      (COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

    • Library Journal

      October 15, 2008
      The dying steel towns of southwestern Pennsylvania are the somber canvas upon which Meyer paints this tale of class, crime, and circumscribed choices. Lifelong buddies Isaac and Billy find themselves in the wrong place at the wrong time. Now Isaac's on the run, Billy's taking the fall for a murder he didn't commit, and their respective families struggle to make sense of what's happened. Meyer's slow, eloquent pacing and lofty vocabulary occasionally seem at odds with the grim realities of Isaac and Billy's adventures, which include prison scenes and tales of life on the road. However, the elegant phrasing provides an ironic contrast between life as it really is and life as the characters wish it could be. Meyer's greatest strength as a novelist lies in his poignantly well-rounded characters, particularly Billy's long-suffering mother, Grace, who repeatedly sacrifices her own prospects for those of her child. A Pandora's box of debate for book clubs, this novel is an essential purchase for libraries in Pennsylvania and surrounding states and strongly recommended for all other fiction collections.Leigh Anne Vrabel, Carnegie Lib. of Pittsburgh

      Copyright 2008 Library Journal, LLC Used with permission.

    • Kirkus

      November 1, 2008
      Part earnest Dreiserian tragedy, part Cormac McCarthy novel transplanted to the Steel Belt, Meyer's debut in the end takes a gothic turn into blockbuster-movie bloodbath.

      Gifted, 20-year-old Isaac has the double bad luck of being born in a dying Pennsylvania steel town and of having an equally smart sister who's already escaped, to Yale and afterward to marriage, leaving him home to tend his disabled father. At the novel's beginning, Isaac has stolen $4,000 from the old man's desk and is lighting out with the quixotic idea that he ' ll hop a freight and somehow reach the Shangri-La of Berkeley and an astrophysics degree. Isaac is accompanied for the first stretch by his friend Poe, an ex-football star on probation because of a brutal fight that could have earned him serious time except that the sheriff, his mother's lover, intervened. When they seek refuge from the weather in an abandoned factory along the tracks, Isaac and Poe encounter other refugees, transients of longer standing and rougher mien. Hair-triggered Poe incites a fight, and Isaac kills a man with a stone thrown in defense of his friend. This death sets in motion a complex plot that centers on the impossibility of escape, be it from place, circumstance or character. Meyer does a terrific job capturing the tone and ethos of his setting, half postindustrial wasteland and half prelapsarian Eden (OK, four-fifths postindustrial wasteland and one-fifth prelapsarian Eden). Several of the alternating narrators are compellingly drawn, especially the sheriff and Isaac, whose flight is a hellishly compacted journey from innocence to experience. The self-styled "Kid " encounters misery and perfidy everywhere he goes —until he decides to face the music and turns homeward.

      Despite some contrived plot developments, a grimly powerful hybrid: provocative literary fiction crossed with a propulsive thriller.

      (COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

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