February 25, 2002
Two former Manhattan nannies blow the lid off of the private child-care industry with a hilarious debut that pulls no punches as it recounts the travails of Nan, a hip Mary Poppins looking for a job to fit around her child-development classes at NYU. Mrs. X seems reasonable enough when she hires Nan to look after her four-year-old son, Grayer, but she quickly reveals herself to be a monster—a bundle of neuroses wrapped up in Prada, whose son is little more than another status symbol in a fabulous Park Avenue apartment. Mr. X is just as horrible, although he's rarely seen or heard, too busy navigating mergers and mistresses to make time for a family starving for his affection. Nan finds herself stuck in a low-paying job from which she can be fired on a whim, enduring a steady stream of condescension, indifference and passive-aggressive notes on Mrs. X's posh stationery. Against the advice of family and friends, she stays because of her devotion to Grayer—but how long will it be before she explodes? The pages fairly crackle with class resentment that might have been more convincing if Nanny's own family weren't as comfortable, and the finale delivers more whimper than bang, but it's easy to forgive such flaws when everything else rings true. Especially impressive is the authors' ability to allow the loathsome Mrs. X occasional flashes of humanity and pathos. Required reading for parents and the women they hire to do their parenting. National advertising and author publicity. (Mar.)Forecast:With Julia Roberts doing the Random Audio version, and film rights already sold to Miramax, the sky's the limit for this thoroughly appealing title.
April 1, 2002
A blistering satire based on the real-life experiences of former New York City nannies McLaughlin and Kraus, this hilarious examination of the upper echelons of Manhattan society and the unlovable Park Avenue X family is flawlessly complemented by Roberts's limber, metamorphosing vocal performance. Depicted by the Academy Award winner's detached, patronizing tone, Mrs. X, a housewife, has little more to do than spend her adulterous, workaholic husband's seven-figure salary on manicures, designer clothes and floral arrangements. She delegates the care of her bratty four-year-old son, Grayer, and other small "errands" (e.g., shopping for a 50-guest dinner party) to an NYU grad student, Nan. Highlighting the disparity between the decadent, insular world of the Xs against the underpaid, disrespected one of the hired help surrounding them works especially well in audio, as Roberts acutely captures neglected Grayer's temper tantrums, piercing whines, inconsolable cries of "I want my mommy" and the hesitant tones and broken English of his playmate's caretakers. When the babysitter's "level of commitment" to the job is questioned and a developmental consultant is called in to handle the "deleterious self-esteem adjustment" her charge may have been set up for after failing to make it into a prestigious school, Roberts conveys Nan's struggle through readings alternately sarcastic, angry and falsely cheerful. This is a witty and thoroughly enjoyable production. Simultaneous release with the St. Martin's hardcover (Forecasts, Feb. 25).